{"id":1168,"date":"2025-06-17T04:43:47","date_gmt":"2025-06-17T04:43:47","guid":{"rendered":"https:\/\/spaudiovisualhub.com.br\/?page_id=1168"},"modified":"2025-07-07T21:11:44","modified_gmt":"2025-07-07T21:11:44","slug":"debates","status":"publish","type":"page","link":"https:\/\/spaudiovisualhub.com.br\/en\/debates\/","title":{"rendered":"Debates"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Debates<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
Paths to co-production | July 7, 10:00am to 11:30am <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

In the international ecosystems of funds and channels, there are many opportunities for financing, co-production, development and licensing. The paths to co-production require an extensive understanding of these networks. This debate invites fund representatives and producers from some of the main global institutions to talk about their models and expectations.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SPEAKERS:
<\/span>Ana Marques (Portugal Film Commission)
Paulo de Carvalho (Autentika Films)
Julian Haisch (Lemming Films)
Walid Nakschbandi (Film-und Medien Stiftung NRW)<\/strong>
<\/span><\/p>

MODERATOR: <\/span>
<\/span>Flavia Guerra<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
Producing with purpose: audience design during development - TorinoFilmLab | July 7, 12:00 to 1:30pm <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

New habits and forms of media consumption pose a challenge for independent productions: how do you locate and communicate with your target audience? This debate presents case studies and possible ways of communicating and engaging audiences on various media platforms.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SPEAKER:
<\/span>S\u00edle Culley (TorinoFilmLab representative)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
The Dual Blind Spot: How Human Stereotyping and Artificial Intelligence Biases Shape Our Understanding of Film Audiences - TorinoFilmLab | July 8, 10:00am to 11:30am <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Artificial intelligence, together with other technological advances, has the potential to affect the entire production chain in the audiovisual sector, producing opportunities and challenges for the industry. This debate focuses on the issue of distribution and promotion: what are the immediate and long-term impacts for this activity?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SPEAKER:
<\/span>Nicol\u00f2 Gallio (TorinoFilmLab representative)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
Short Circuit: Short Film Exhibition and Marketing Windows | July 8, 3:00pm to 4:30pm <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Short films are an important part of the audiovisual ecosystem. They represent a space not only for training, but also for experimentation, creation and dissemination. This debate focuses on the paths and challenges of short film exhibition windows.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SPEAKERS:
<\/span>Jaime E. Manrique (Bogoshorts Short Film Festival)
J\u00e9r\u00e9my Laurichesse (Clermont-Ferrand Short Film Festival)
Jos\u00e9 Gil (Chileshorts)
Juan Andr\u00e9s Belo (Ventana Sur)
Yeniffer Fasciani (FeelSales)<\/strong>
<\/span><\/p>

MODERATOR:<\/span>
<\/span>Marcio Miranda Perez (Kinoforum)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
Producing and Exhibiting Documentaries: from Development to Distribution | July 9, 12:00 to 1:30pm <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The chain of production and promotion of documentaries, from development to distribution, has several particularities that deserve special attention. From financing models to exhibition circuits, including training spaces and laboratories, the documentary windows offer multiple opportunities to explore cinematographic languages and audiovisual business models.<\/p>

SPEAKERS:<\/span>
<\/span>Gugi Gumilang (In-Docs | Hot Docs)
Jason Marcus Resnick (Autlook Film Sales)
Walter Tiepelmann (FIDBA\/MAFIZ)
Marina da Costa Thome (DocLisboa)
Thomas Micoulet (Haut les Mains)<\/strong><\/p>

MODERATOR:<\/span>
<\/span>Luis Gonz\u00e1lez Zaffaroni (DOCSP)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
Brazil in the World: Brazilian Cinema and International Markets | July 9, 5pm to 6:30pm <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

In a year of many achievements, Brazilian films were highlighted in the main movie theaters around the world. From an international perspective, from festivals to distributors, how strong is the presence of Brazilian production in global markets?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SPEAKERS:<\/span>
<\/span>Susana Santos Rodrigues (International Film Festival Rotterdam and Indie Lisboa)
Francisco Zambrano (mk2 Films)
Jacqueline Nsiah (Berlinale)
Gerardo Michelin (LatAm Cinema)<\/strong><\/p>

MODERATOR:<\/span>
<\/span>Laura Rossi (MUV Capital)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
S\u00e3o Paulo Audiovisual Internationalization Policies: S\u00e3o Paulo Secretary of Culture, Spcine and Sebrae | July 10 - 12:00 to 1:30pm <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

S\u00e3o Paulo's audiovisual industry is one of the most consolidated and diverse in the country. From the capital to the interior and the coast, there are companies and economic agents that make and strengthen S\u00e3o Paulo's creative industry. From S\u00e3o Paulo to the world, this debate looks at some of the main initiatives for the international promotion of audiovisuals.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SPEAKERS:<\/span>
<\/span>Marilia Marton (Secretariat of Culture, Economy and Creative Industry of S\u00e3o Paulo)
Lyara Oliveira (Spcine)
Nelson Hervey Costa (SEBRAE)<\/strong>
<\/span><\/p>

MODERATOR:<\/span>
<\/span>Luiz Toledo (Producer, Filomena Produ\u00e7\u00f5es)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
Filming in S\u00e3o Paulo: Production Attractions and Incentives | July 10, 5:00pm to 6:30pm <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

S\u00e3o Paulo has numerous attractions for audiovisual production: diverse location possibilities, strategic opportunities, incentive policies and logistical infrastructure. This panel invites national and international executives to discuss their perspectives on production in the capital and the state.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SPEAKERS:<\/span>
<\/span>Glenn Gaynor (Amazon Studios)
Jos\u00e9 Miguel \u00c1lvarez Ibarg\u00fcengoitia (IMCINE)
Ge\u00f3rgia Costa Ara\u00fajo (Cora\u00e7\u00e3o da Selva)<\/strong><\/p>

MODERATOR:<\/span>
<\/span>Luiz Toledo
(Produtor, Filomena Produ\u00e7\u00f5es)<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t\t
Financing Models: from Public to Private | July 11, 12:00 to 1:30pm <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

A conversation about some of the main instruments for financing audiovisual projects: from public notices, to private investment, to public-private models such as cash rebates, how do you recognize the best model for your project? How do you work with different sources of funding and what are the main challenges and advantages of each?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

SPEAKERS:<\/span>
<\/span>Justin Lerner (La Danta Films)
Nicolas Piccato (CNC – Aides au Cin\u00e9ma du Monde)
Moritz Lauer (Wild Bunch)
Bernardo Lessa (Tanto Filmes)<\/strong>
<\/span>
<\/span>MODERATOR:<\/span>
<\/span>Laura Rossi<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Debates Caminhos da Coprodu\u00e7\u00e3o | 07\/07, das 10h \u00e0s 11h30 Nos ecossistemas internacionais de fundos e canais, h\u00e1 diversas oportunidades de financiamento, coprodu\u00e7\u00e3o, desenvolvimento e licenciamento. Os caminhos da coprodu\u00e7\u00e3o requerem uma extensa compreens\u00e3o dessas redes. Este debate convida representantes de fundos e produtores de algumas das principais institui\u00e7\u00f5es globais para conversar sobre seus modelos […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1168","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/pages\/1168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/comments?post=1168"}],"version-history":[{"count":97,"href":"https:\/\/spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/pages\/1168\/revisions"}],"predecessor-version":[{"id":1997,"href":"https:\/\/spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/pages\/1168\/revisions\/1997"}],"wp:attachment":[{"href":"https:\/\/spaudiovisualhub.com.br\/en\/wp-json\/wp\/v2\/media?parent=1168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}